Inspired Art and Living with Fiona Stolze

Colour Therapy: wearing green clothing (Part 2)

I wrote a little while back about the significance of wearing green clothing and promised to get back with some further thoughts on the subject.

Colour is such a fascinating subject isn’t it and I’m sure I could write a list as long as my arm of all the keywords linked with green but what I really wanted to do was give a bit more insight into how wearing this colour can affect your energy levels and what subtle effects it can have on those around you.

Green shades with fuchsia, pink, yellow, salmon and co.

Many years ago when I trained as a colour therapist we learned how to channel the different colour vibrations through hands on healing and spring green was one of the central colours we worked with. Chlorophyl is truly the juice of life and represents a potent energiser and balancer of all dis-ease. And although the other colours are categorized as either magnetic (the warming reds, oranges and yellows) or electric (all the blues and purples), green is neutral and can be used to bring things back to centre.

For this reason, many people report feeling very safe and comfortable in green as it is in a way the protector. It is a good choice for people who are recovering from illness or who have been feeling down and need a bit of a helping hand.

Some of you reading this will know a bit about the Eastern chakra system, the 7 main energy centres in our bodies. It is interesting to note that green is associated with the heart chakra, the central one and the key to higher realms as it is linked with compassion and unconditional love. But did you know that the colour pink is also linked with the heart chakra? Soft greens and pinks have similar vibrations and so you can either combine them or interchange them when choosing clothing. These shades are perfect for people who are seriously ill, maybe even terminally, as they have a very soft, soothing, heart-opening energy. For the same reason you can dress your younger children in these shades as they help them to feel safe and protected.

Generally a person wearing green clothing is likely to instill trust and confidence in the people he or she is dealing with as it is non-threatening and induces a feeling of calm.

I’ve found through my silk painting that all sorts of green shades do indeed harmonise with all sorts of other shades. There don’t seem to be any hard and fast rules.  I personally love touches of pink and fuchsia intermingled with soft greens. I know from feedback from many of you that you also like to experiment and have favourite green/other colour combinations ranging from peaches, pinks, salmon, blues, purples and many more. Your own colouring and personality will determine what you can carry off and what you need to avoid.

And there’s one last thing I wanted to share with you on this topic. Various shades of green are  linked with wealth and affluence. So if you tend to wear a lot of green, it could be a sign that you feel comfortable handling and managing your money or indeed are a good manifester of wealth. Maybe this is something to think about next time you want to go and ask your bank manager for a loan. Instil a bit of confidence in him by wearing a smart green blouse or shirt. Definitely worth a try.

I was wondering if you had had any experiences of using green in any particular way and had noticed clear results. I’d love to hear about it so do leave your comments in the box below.

Advertisements

February 28, 2011 Posted by | COLOURS | , , , , , , , , , , , | 43 Comments

Blue and Green Should Never be Seen…or was it Red and Green?

I had actually been planning to write a second part to my post on wearing green clothing, however things have taken a different turn and although I’m still on the topic of green, I have decided to explore a slightly different question than what clothing you wear.

Red and green or blue and green

Most of us grew up learning all those delightful little ditties that we sang or chanted while playing or doing our homework. And there were always a few inbetween that sounded a little odd but then our grandmother or one of our teachers had taught us them and so we took them on board without questioning them.

The one that sticks in my mind is ‘Red and green should never be seen except upon an Irish Queen‘. I remember my grandmother saying that one again and again. Now up until recently I was perfectly happy using it even though I knew that it didn’t hold any water. I loved seeing vibrant red roses with contrasting green leaves in the garden. They went perfectly together, didn’t they?

But wait…”That’s wrong!” I hear you say. “It should be ‘Blue and green should never be seen except with something inbetween’.”

Now that’s very odd. I began to ask around and found opinions hugely divided on what the correct version should be. So I started digging to see if I could shed any light on the origin of the phrase. And that’s when it got really colourful.

One comment from an ex-marine stated that it referred to ships in the  night. If you see a red light on your ship and red on the other, the ships are travelling in opposite directions. If one is green and the other is red,  both ships are travelling in the same direction and if at an angle to each other, possibly in danger of colliding. Even worse is if you can see both red and green on the oncoming ship. Then you are headed for collision.

But here’s a fascinating suggestion. There was a film  in 1957 with Fred Astaire and Audrey Hepburn called “Funny Face” and a female fashion editor was supposed to have said ‘Red and green should never be seen except with something inbetween’. Was that the US fashion rule in those days? The funny bit for me is that this film is in a boxed set of Audrey Hepburn films I gave my husband for Christmas and I haven’t seen it yet. Time to watch it.

And yet that doesn’t really make sense when you look at how all shades of green go fabulous with blue jeans.

Personally I think  both versions of this saying are  nonsense because I believe that any colour can harmonise with any other one depending on how you use them.  And nature doesn’t seem to have heard of this rule at all.

Here’s a parting shot though. The Irish word for girl is cailin (with an fadda accent over the last i and it’s pronounced colleen). Is this then a slip of the tongue that makes colleen sound like Queen? This topic is turning out to be far more extensive than I originally thought and is giving me lots of new inspirations for further blogs.

But anyway, I wanted to throw this question out to you and see if you know any more about this. Which version were you taught and do you have any idea where the phrase came from? And do you flout the rule or do you find yourself avoiding green combinations as a result? Thanks for taking the time to share.

February 6, 2011 Posted by | COLOURS | , , , , , , , , , | 6 Comments

Painting a Silk Mandala as a Slow Meditation – Nourishment for the Soul

I get asked so often how long it takes me to paint a mandala. It’s that “How long is a piece of string?” time again. It totally depends on what size it is, how detailed it is, how much I have going on around its creation and so on…

I decided to share some of my thoughts on this with you in an article because it always helps me to get clarity on the whole process.

First and foremost painting a mandala is a meditation. I always get a sort of ethereal nudge when it’s time to make up a frame and begin the creative process of birthing a mandala. It’s never left up to me to just say – okay today I’m going to paint one. So it’s a sort of cosmic ordering, if you like. I remember the first time a lovely gentleman came up close to my stand and after a few minutes of

"Stargate" mandala on frame

admiring my paintings asked me – where do you get the templates from? That really made me smile. What a lovely question. I began to explain to him that I never really know what the paintings are going to look like when I start them. The quicker I get out of my own way and allow everything to flow, the better. That’s when the magic starts.

Many of you will know that I stretch my silk onto the frame, mark the centre and then draw several random concentric circles with a fabric marker and compasses. I then take my bottle of gold gutta, the resist that creates the pattern, and start to draw the pattern, circle by circle, going out from the centre.  I allow it all to unfold freehand, so the mandalas have a natural, easy symmetry without being too exact.

There are a few exceptions to this. One or two of my paintings depict specific sacred geometry and so they had to be created using the compasses and ruler. An example of this is my “Stargate” which shows a five and six-pointed star nestled into each other, coccooned in a mandala. With some of my larger mandalas, the process of applying the gold gutta takes on a really meditative tone as some of the outer rings take

Fiona Stolze painting "Stargate" silk mandala

one hour at a time. I normally play some of my favourite spiritual music and then completely surrrender to what is happening. There have been times that I have stood back and said – oh, wow, that’s what you look like. It’s only when I stand back and put down my tools that I get the bigger picture.

And during this time the colours just choose themselves. They step forward in an easy and effortless process, so I don’t have to think about it. Knowing that any colour goes with any other one makes everything so simple. 🙂

And to the question of my having a lot of patience to do this kind of artwork, well, it’s all about being in the present moment, the extended now when I paint. Then linear time ceases to exist. It’s a moment and an eternity in one.

These photos here show “Stargate” being created. I painted it in the summer months and so was able to have the patio doors open to let the warm air in to circulate in the room. I lost count of how long this painting was actually on the frame. At the end of the day it doesn’t really matter. It was a pure joy to paint. The chakra colours run up through the two stars with high-vibrational magenta in the centre.

But one thing is very clear. Painting in this way is a nourishment for the soul. Colour is pure energy. And energy allowed completely free flow is a potent form of healing. So healing the world with these beautiful colours seems a very worth while way to be.

April 28, 2010 Posted by | PAINTINGS IN PROCESS | , , , , , , , , , , , | 4 Comments

EMPOWER YOURSELF WITH COLOUR

EMPOWER YOURSELF WITH COLOUR!

I don’t know if you are aware of it, but the colours you choose to dress yourself in can truly empower you.

When was the last time you woke up and just felt like moving mountains? And what did you grab for in your wardrobe? I’ll bet it was something pretty upbeat that made a bold statement about the way you felt on that day.

And the morning you opened your eyes and felt pretty awful. That was when you put on something that was likely cautious and “invisible”. Who wants everyone looking at them when they’re not feeling special?

It’s a fact that the choice of clothes you make on a daily basis really reflects what is going on inside of you. And for the majority of people this is happening on a subconscious level.

So, just image if you were to make conscious decisions about the way you colour dress and the impact this will make on everyone around you? (oops, I just coloured that yellow and it became almost invisible)

That would mean that you could think about what you have planned for the day and dress to enhance the desired outcome. Sounds good, doesn’t it? Personal empowerment with colour is quite easy once you know how.

I will be sharing some interesting bits and pieces about how to empower yourself with colour and I look forward to hearing about any of your personal experiences.

HAVE A COLOURFUL DAY!



February 11, 2009 Posted by | COLOURS | , , , , , | 1 Comment