Inspired Art and Living with Fiona Stolze

How To Avoid Getting Dye On Your Gutta Lines

As if it wasn’t enough working at creating your gutta design without any hitches, but then you have the task of applying the dye to complete the picture. It’s true that you can achieve really great looks by just putting in a minimal amount of effort, but sometimes when you go that extra mile, your artwork just looks so much better.

One thing you have to take into consideration when applying your silk dyes is the possibility of the dye discolouring the gutta so that it’s only partially or not at all visible afterwards. I’m talking about the coloured and metallic guttas here which don’t like being painted over very much.

I wanted to share with you my experience. I used to draw my gutta lines and then leave them over night to thoroughly dry. Then next day I was always keen to get on with the painting and sometimes got a little too excited. If I wasn’t careful enough with my brush, I would get some of the dye on my gutta which immediately made it become dull and lose its sheen. This wasn’t something I was able to remedy afterwards by putting some more gutta on top. This can be a messy procedure anyway and it always looks as if you’ve been trying to give your work a make-over.

But then I came up with the following idea. Whenever I needed to do a lovely wash of colour and the gutta was “in the way”, I turned over my frame and applied the dye from the underside. This gave (and still gives) me a lovely flowing look and left my gutta lines completely intact and bright. All I do is place 4 juice or milk cartons underneath the corners of the frame and I’m ready to go.

However, I don’t recommend using this all the time. I have found that my detailed precision work on my mandalas looks better when I have painted right way up. I would suggest keeping painting on the reverse for “messier” painting. 🙂

Hope this has helped and let me know how you get on.


February 16, 2010 - Posted by | SILK PAINTING TECHNIQUES | , , ,

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